New York Fashion Week 2025: Calvin Klein’s streamlined monochrome looks and Khaite’s utilitarian chic

New York Fashion Week 2025: Calvin Klein’s streamlined monochrome looks and Khaite’s utilitarian chic

It was a busy weekend for fashion insiders in New York as brands ranging from Anna Sui and Altuzarra to Calvin Klein and Khaite presented their spring/summer 2026 collections.
The Khaite spring/summer 2026 show opened with this androgynous look. Photo: Handout
The Khaite show is always a large-scale and carefully planned production. Every season, architect and designer Griffin Frazen, who is also founder Catherine Holstein’s husband, creates the set, and he clearly puts a lot of work into it.

Khaite’s sets are often slightly dystopian – this season models walked on a reflecting pool scattered with iceberg-like wooden planks while smoke wafted from below – but while Holstein knows how to put on a spectacle, the cinematic backdrop never overshadows the clothes.

From the androgynous first look (an asymmetrical leather jacket paired with denim trousers) to the very last (a fringed top worn over a billowing polka dot skirt), the show captured your full attention, which is a rarity these days.

The Khaite show closed with a fringed top paired with a polka dot skirt. Photo: Handout
The Khaite show closed with a fringed top paired with a polka dot skirt. Photo: Handout

Khaite is the rare brand where seemingly pedestrian outfits such as a shirt-and-jeans combo become statement pieces. Take those sharply cut denim skirts with their hems rolled up just so, or the chic pony-hair trousers slung low over embellished sheer blouses.

The chunky and intricate knitwear that is a signature of the label counterbalanced the strict silhouettes that dominated the collection and gave it a touch of handcrafted softness.

As always, those looking for a great leather jacket will find plenty: the best ones this season came lined in shearling and were another great example of how to elevate a utilitarian staple into a covetable must-have.

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