Naomi Watts, Niecy Nash, and Kris Jenner were the final three stars to hit the All’s Fair London premiere red carpet, each bringing their own distinct interpretation of glamour. From retro-inspired to bold theatrical volume and exaggerated tailoring, these closing looks summed up the night’s eclectic fashion energy — some more successfully than others.
liquid disappointment
You were on the fence when it came to Naomi Watts’ Paris look, and I have a feeling you’ll be even less enthused by this Mugler by Miguel Castro Freitas liquid satin dress from the Wardrobe Resort 2026 collection. I don’t mind the ‘80s undertones — the structured shoulders are classic Mugler — but the issue lies in the fabric. Satin can be beautiful under the right conditions, but it’s unforgiving at the best of times, and here the high-shine, mirror-like finish exaggerates every fold, pull, and crease under the red carpet lighting. The Jimmy Choo Brigitte pumps and pearl-embellished brooch are lovely details, but the brooch weigh the look down further.
Moulin Rouge energy
This is easily my least favourite look from Niecy Nash on this press tour. Actually, it’s my least favourite look from her ever. Perhaps she should’ve worn this MSO Lagos gown to the Paris premiere — if it had been held at the Moulin Rouge. That’s exactly the energy this dramatic, high-low crimson dress is giving me: playful, theatrical, but too costume-adjacent.
Edna Mode era
Kris Jenner started this press tour strong, but it’s almost as though she’s veering into Lisa Rinna territory with this Jacquemus suit and Alaïa sunglasses combo. The exaggerated shoulders and oversized proportions overwhelm her frame. Instead of modern power dressing, it reads as heavy and unflattering, with the volume swallowing her whole. The intent may have been avant-garde minimalism, but the result is closer her stepping into her Edna Mode era. So comical.
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